{"id":3639,"date":"2015-12-01T12:31:52","date_gmt":"2015-12-01T14:31:52","guid":{"rendered":"http:\/\/www.usp.br\/tusp\/?post_type=portfolio&#038;p=3639"},"modified":"2016-02-02T17:06:39","modified_gmt":"2016-02-02T19:06:39","slug":"villa-chile","status":"publish","type":"portfolio","link":"https:\/\/usp.br\/tusp\/portfolio\/villa-chile\/","title":{"rendered":"Villa (Chile)"},"content":{"rendered":"<p style=\"text-align: justify;\">Tr\u00eas mulheres avaliam diferentes propostas sobre\u00a0o que fazer com a Villa Grimaldi, um centro de\u00a0tortura e exterm\u00ednio na ditadura de Pinochet.<\/p>\n<p style=\"text-align: justify;\">As personagens discutem em torno de uma mesa,\u00a0refletindo dilemas atuais de organiza\u00e7\u00f5es de\u00a0direitos humanos e sobre o presente dos espa\u00e7os\u00a0ligados \u00e0 viol\u00eancia do Estado.<\/p>\n<p style=\"text-align: justify;\">Como explicar o horror do passado sem cair em\u00a0uma produ\u00e7\u00e3o de parque tem\u00e1tico ou na fria reprodu\u00e7\u00e3o de um museu de arte contempor\u00e2nea?<\/p>\n<p style=\"text-align: justify;\">Com esparsos recursos c\u00eanicos, utilizados de\u00a0forma potente, o trabalho \u00e9 um reflexo do campo\u00a0simb\u00f3lico, teatral, sobre o peso de sinais e responsabilidades e dos fantasmas daqueles que t\u00eam a\u00a0tarefa de decidir como escrever o passado.<\/p>\n<p style=\"text-align: justify;\">Apesar da densidade da mat\u00e9ria, as atrizes conseguem encarnar uma complexa discuss\u00e3o de\u00a0ideias e atitudes em rela\u00e7\u00e3o \u00e0 viol\u00eancia e a dor.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/X8iJDG7FUV8\" height=\"315\" width=\"560\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: justify;\"><strong>Ficha T\u00e9cnica<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Dire\u00e7\u00e3o e\u00a0Dramaturgia<\/strong> Guillermo Calder\u00f3n\u00a0<strong>Assist\u00eancia de\u00a0Dire\u00e7\u00e3o<\/strong> Mar\u00eda Paz Gonz\u00e1lez\u00a0<strong>Elenco<\/strong> Francisca Lewin, Macarena\u00a0Zamudio, Mar\u00eda Paz Gonz\u00e1lez\u00a0<strong>Dire\u00e7\u00e3o de\u00a0Arte<\/strong> Mar\u00eda Fernanda\u00a0Videla\u00a0<strong>Produ\u00e7\u00e3o<\/strong> FITAM \/ Teatro PLAYA<\/p>\n<p style=\"text-align: justify;\"><strong>Guillermo Calder\u00f3n<\/strong> (1971) n\u00e3o tinha a inten\u00e7\u00e3o\u00a0de ser dramaturgo ou diretor. Come\u00e7ou como\u00a0ator na televis\u00e3o e no teatro, incluindo um papel\u00a0em uma montagem de sucesso de Mala Onda, de\u00a0Alberto Fuguet. Estudou teatro na Universidad de\u00a0Chile e na Dell\u2019Arte School of Physical Theater, California. Tem mestrado em artes na City University\u00a0of New York. Escreveu e dirigiu Neva, Diciembre e\u00a0Clase, obras que foram sucesso de p\u00fablico e cr\u00edtica. Suas produ\u00e7\u00f5es foram apresentadas em mais\u00a0de 25 pa\u00edses e receberam diversos pr\u00eamios.<\/p>\n<p style=\"text-align: justify;\">Seu \u00faltimo trabalho, Villa + Discurso, tem sido\u00a0convidado a apresentar-se em diversos festivais\u00a0internacionais de teatro desde 2011. Tamb\u00e9m se\u00a0tornou roteirista, tendo escrito Violeta Se Fue a los\u00a0Cielos (\u201cVioleta foi para o c\u00e9u\u201d), filme biogr\u00e1fico sobre a cantora e compositora chilena Violeta Parra,\u00a0inscrito pelo Chile na categoria de melhor filme\u00a0em l\u00edngua estrangeira no Oscar do ano passado.<\/p>\n<p style=\"text-align: justify;\">\u00ad<\/p>\n<p style=\"text-align: justify;\"><strong>Servi\u00e7o<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>II Bienal Internacional de Teatro da USP<\/strong><br \/>\n<span style=\"color: #993300;\"><strong>Villa<\/strong><\/span><br \/>\n<strong>Guillermo\u00a0Calder\u00f3n e\u00a0Compa\u00f1ia\u00a0Playa<\/strong>\u00a0(Chile)<br \/>\n<strong>Quando<\/strong>\u00a012 e 13.12 &#8211; 20h<br \/>\n<strong>Quanto<\/strong>\u00a0R$ 10,00 inteira e R$ 5,00 meia-entrada.<br \/>\n<strong>Onde<\/strong>\u00a0TUSP<br \/>\n<strong>Dura\u00e7\u00e3o<\/strong>\u00a070 min<br \/>\n<strong>Lota\u00e7\u00e3o<\/strong>\u00a098 lugares<br \/>\n<strong>Classifica\u00e7\u00e3o<\/strong>\u00a014 anos<\/p>\n<p>\u00ad<\/p>\n<p>\u00ad<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tr\u00eas mulheres avaliam diferentes propostas sobre\u00a0o que fazer com a Villa Grimaldi, um centro de\u00a0tortura e exterm\u00ednio na ditadura de Pinochet. As personagens discutem em torno de <a class=\"read-more\" href=\"https:\/\/usp.br\/tusp\/portfolio\/villa-chile\/\">[&#8230;]<\/a><\/p>\n","protected":false},"featured_media":3649,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[],"class_list":["post-3639","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/portfolio\/3639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/types\/portfolio"}],"version-history":[{"count":1,"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/portfolio\/3639\/revisions"}],"predecessor-version":[{"id":3690,"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/portfolio\/3639\/revisions\/3690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/media\/3649"}],"wp:attachment":[{"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/media?parent=3639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usp.br\/tusp\/wp-json\/wp\/v2\/categories?post=3639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}